{"id":628,"date":"2025-01-13T02:17:49","date_gmt":"2025-01-13T02:17:49","guid":{"rendered":"https:\/\/www.rivermagazin.com\/?p=628"},"modified":"2025-01-13T02:19:29","modified_gmt":"2025-01-13T02:19:29","slug":"70-es-evek-fotorealizmus-vagy-hiperrealizmus","status":"publish","type":"post","link":"https:\/\/www.rivermagazin.com\/?p=628","title":{"rendered":"70-es \u00e9vek fot\u00f3realizmus vagy hiperrealizmus"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><br>A fot\u00f3realizmus vagy m\u00e1s n\u00e9ven hiperrealizmus a pop art h\u00f3d\u00edt\u00e1sa k\u00f6zben sz\u00fcletett.<br>A kritika \u00e1ltal kev\u00e9sb\u00e9 becs\u00fclt, hiszen nem tulajdon\u00edtott\u00e1k neki a kreat\u00edvit\u00e1s fogalm\u00e1t,<br>mint olyan.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"971\" height=\"1024\" src=\"https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/birkas-971x1024.jpg\" alt=\"\" class=\"wp-image-630\" srcset=\"https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/birkas-971x1024.jpg 971w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/birkas-285x300.jpg 285w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/birkas-768x810.jpg 768w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/birkas-1024x1080.jpg 1024w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/birkas.jpg 1138w\" sizes=\"auto, (max-width: 971px) 100vw, 971px\" \/><figcaption class=\"wp-element-caption\">Birk\u00e1s \u00c1kos: O.T. (2001) olaj, v\u00e1szon, 140 x 130 cm<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Legink\u00e1bb az \u00e9rzelmi von\u00e1sok kiiktat\u00e1s\u00e1ra t\u00f6rekedtek, de technikai virtuozit\u00e1s<br>jellemezte. Nem c\u00e9ljuk \u00e9rtelmezni a val\u00f3s\u00e1got, mindink\u00e1bb annak legpontosabb<br>reproduk\u00e1l\u00e1s\u00e1ra t\u00f6rekedtek.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"432\" src=\"https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/estes.jpg\" alt=\"\" class=\"wp-image-632\" srcset=\"https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/estes.jpg 640w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/estes-300x203.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\">Richard Estes: Dupla \u00d6narck\u00e9p (1976) 60.8 cm x 91.5 cm, olaj, v\u00e1szon<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"765\" src=\"https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/nyari_istvan_sziamik-1024x765.jpg\" alt=\"\" class=\"wp-image-631\" srcset=\"https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/nyari_istvan_sziamik-1024x765.jpg 1024w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/nyari_istvan_sziamik-300x224.jpg 300w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/nyari_istvan_sziamik-768x574.jpg 768w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/nyari_istvan_sziamik-1536x1148.jpg 1536w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/nyari_istvan_sziamik-2048x1531.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ny\u00e1ri Istv\u00e1n: Szi\u00e1miak (Siamese) (2008) 150 x 200 cm, akril, v\u00e1szon<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Szemet becsap\u00f3 ill\u00fazi\u00f3kelt\u0151 hat\u00e1sok jellemezt\u00e9k, m\u00e1r-m\u00e1r olyan szinten, hogy<br>felk\u00e9rt\u00e9k a terem\u0151r\u00f6ket, hogy ellen\u0151rizz\u00e9k, val\u00f3ban mindenki elhagyta e a ki\u00e1ll\u00edt\u00f3termeket, hiszen a hiperrealizmus legf\u0151bb jellemz\u0151i, a t\u00falz\u00f3, val\u00f3s\u00e1gos, szinte<br>k\u00e9zzelfoghat\u00f3 l\u00e1tv\u00e1ny.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"597\" src=\"https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/dune_hanson.jpg\" alt=\"\" class=\"wp-image-629\" srcset=\"https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/dune_hanson.jpg 1024w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/dune_hanson-300x175.jpg 300w, https:\/\/www.rivermagazin.com\/wp-content\/uploads\/2025\/01\/dune_hanson-768x448.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Duane Hanson: \u00c9letnagys\u00e1g\u00fa, realisztikus emberszobrok, \u00fcvegsz\u00e1l felhaszn\u00e1l\u00e1s\u00e1val<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Kiemelked\u0151 alakjai: Fot\u00f3realizmus: <strong>Chuck Close,<\/strong> <strong>Richard Estes,<\/strong> Ralf Goings<br>hiperrealizmus kiemelked\u0151 alakjai: <strong>Duane Hanson<\/strong>, John de Andrea, M. Pistoletto<br>M\u00e9hes L\u00e1szl\u00f3, Feh\u00e9r L\u00e1szl\u00f3, <strong>Birk\u00e1s \u00c1kos, Ny\u00e1ri Istv\u00e1n<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00edrta: Nemes D\u00f3ra<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A fot\u00f3realizmus vagy m\u00e1s n\u00e9ven hiperrealizmus a pop art h\u00f3d\u00edt\u00e1sa k\u00f6zben sz\u00fcletett.A kritika \u00e1ltal kev\u00e9sb\u00e9 becs\u00fclt, hiszen nem tulajdon\u00edtott\u00e1k neki a kreat\u00edvit\u00e1s fogalm\u00e1t,mint olyan. Legink\u00e1bb az \u00e9rzelmi von\u00e1sok kiiktat\u00e1s\u00e1ra t\u00f6rekedtek, de technikai virtuozit\u00e1sjellemezte. Nem c\u00e9ljuk \u00e9rtelmezni a val\u00f3s\u00e1got, mindink\u00e1bb annak legpontosabbreproduk\u00e1l\u00e1s\u00e1ra t\u00f6rekedtek. Szemet becsap\u00f3 ill\u00fazi\u00f3kelt\u0151 hat\u00e1sok jellemezt\u00e9k, m\u00e1r-m\u00e1r olyan szinten, hogyfelk\u00e9rt\u00e9k a terem\u0151r\u00f6ket, hogy ellen\u0151rizz\u00e9k,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":614,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura"],"_links":{"self":[{"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=\/wp\/v2\/posts\/628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=628"}],"version-history":[{"count":1,"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=\/wp\/v2\/posts\/628\/revisions"}],"predecessor-version":[{"id":633,"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=\/wp\/v2\/posts\/628\/revisions\/633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=\/wp\/v2\/media\/614"}],"wp:attachment":[{"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rivermagazin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}